Ou Ma is the founder of OUMA, a celebrated couture bridal fashion brand known for its sophisticated, avant-garde designs that challenge the traditional expectations of wedding wear. With a passion for redefining bridal aesthetics, Ma has built a reputation for creating collections that blend timeless elegance with modern sensibilities, offering brides an opportunity to express their individuality on their wedding day.

Ma’s journey into the bridal industry was inspired by her deep appreciation for art, design, and craftsmanship. She honed her skills under the mentorship of renowned fashion industry leaders, whose guidance helped shape her distinctive approach to bridal fashion. This mentorship, along with her formal training in fashion design, allowed her to cultivate a unique vision that would become the hallmark of OUMA.

The brand’s collections, including the Radiant Reverie and L’envie lines, have garnered significant attention in both local and international media. OUMA has been featured in prestigious publications such as Vogue, Bridal Guide, and Martha Stewart Weddings, further establishing Ma’s place as an innovator in the bridal space. She has dressed Anne Hathaway, Christy Turlington, and Kate Winslet.
Her designs have also graced the runways of high-profile bridal fashion shows, including Bridal Fashion Week, where she has received accolades for her ability to merge contemporary trends with classic bridal aesthetics. As a businesswoman, Ma is driven by a commitment to providing a personalized and supportive experience for every bride who steps into her studio.
Beyond simply creating beautiful gowns, she emphasizes the importance of understanding each bride’s unique vision and making that vision come to life with exceptional craftsmanship. Ma’s dedication to her craft and her clients has earned her a loyal following and a growing influence in the bridal fashion industry.

IN HER WORDS
“Although I grew up as an introverted, artistic girl who liked to play in her room with Barbie dolls, I was always filled with imagination and ideas and proved to be a good leader. I did not know what an entrepreneur was, but when I was 12 years old, I wrote in my journal, “I do not want to work a 9-to-5 job; I want to be a freelancer.” There were no entrepreneurs in my immediate family, but I was a rebel! I knew I wanted to be a fashion designer when I was 17 after watching Paris Couture Fashion Week, and I understood that I needed to build my own brand.
“I grew up loving crafts and always used fabric scraps I found in flea markets to make dresses for my Barbie dolls. In high school, I made earrings and sold them to friends and schoolmates at markets. I always thought I was an introverted and shy kid, but participating in sales events like these made me feel more confident and helped me realize how much I love interacting with people.
“When I was about 10 years old, a friend of my mother’s came to our home and loved one of my acrylic paintings. My mother asked me to give it to her as a gift, but I asked for $20 instead. They laughed and were quite shocked that I asked for money like that because, in Chinese culture, it is considered rude. However, she happily paid me in the end, and that was the first money I had ever earned!
“When I worked at Ralph Lauren in New York, my friends and colleagues reached out to me to make their wedding dresses. I became obsessed with creating unique pieces that reflected each bride’s personality. After relocating to Vancouver, continuing with custom dressmaking felt natural to me, and my entrepreneurial journey has unfolded ever since.

“I started as a one-woman show and now own both a bridal brand and an eveningwear brand, along with my own manufacturing facility in Vancouver. Taking my brand to the wholesale bridal market was definitely a key opportunity to scale my business and elevate my brand. I have always faced new challenges, such as having zero production knowledge, being short-staffed, dealing with material shortages, and managing cash flow problems. Along the way, I have been fortunate to have a strong support system—my mentor, husband, industry peers, and connections—who have given me advice and helped me navigate these obstacles.
“I believe having a strong mindset and confidence in myself has been essential in overcoming setbacks. As an entrepreneur, you must have an unwavering belief that you will make it through and succeed in the end. At the same time, blocking out unnecessary noise and avoiding negative comments are also helpful.
“I have definitely sacrificed a lot of time with my son. I wanted to be a good mother and spend quality time with him during his early childhood, but my clients were also a top priority.
“I worked hard and wanted to be a role model, not realizing how fast he was growing up. Eventually, I learned how to better utilize scattered time to get things done and to completely turn off work when I was with him. There is no perfect balance between work and life, but the best we can do is focus on one thing at a time.
“I always knew I was a good designer and that brides loved my designs. However, during COVID, when brides living outside of Canada ordered their custom dresses from me purely through virtual consultations and fittings, I knew my business would succeed. It required immense trust to allow someone you had never met to create your wedding dress, and I felt deeply responsible for making their dream come true.
“Design aesthetic, quality, communication, personal interactions, and teamwork are equally important in building a successful business. That was the first time I realized I possessed all of these essential elements.
“My mentor in New York has played an important role in my journey. Although we do not stay in touch often, I seek his advice on vital matters. At one point, I told him I was so busy managing all aspects of the business that I barely had time to design. He raised a concern, telling me, “If your designs are not good, retailers will not buy,” which proved to be true. I am grateful I listened to him. That lesson taught me to delegate, recognize my weaknesses, and focus on my strengths.
“As my OUMA, my leadership style evolved from a hands-on, detail-focused approach to a more strategic and empowering one. In the early stages, I was deeply involved in every aspect—design, production, marketing, and customer interactions. However, as the brand expanded, I had to trust my team more, delegate effectively, and focus on the bigger picture.
“There were moments when I had to realign with my core values and purpose. One key instance was when I considered introducing rental services. While it seemed like a great way to reach more brides, I realized it did not align with OUMA’s essence of personal, made-to-order craftsmanship.
“Another pivotal moment came when I felt the pressure to scale quickly and push into larger markets. Instead, I chose to prioritize brand integrity and sustainability over rapid expansion, ensuring that every piece remained true to my vision of quiet luxury and conscious design.
“During COVID, when wedding restrictions were in place and brides were panicking about not being able to find suitable dresses for their wedding events, we launched a capsule collection featuring bridal separates and short dresses.
“It was a great success, allowing us to dress many brides during that difficult time. Fashion must reflect what is happening in the world, and as both a designer and a business owner, I had to stay informed about global events and how they would affect the way people dress.
“Lessons learned? Start small and stay focused. Do not expand too quickly before establishing a solid foundation. I learned this lesson the hard way when I became distracted by competitors and introduced too many product lines. I wish I had remained more focused and strengthened what I was already good at.
“Expanding OUMA from a local Vancouver studio to international retailers was one of the most important steps I took to scale my business. For the first four years, I focused on creating one-of-a-kind custom gowns for local brides, but I realized there was a limit to how many custom dresses I could make per year. Additionally, I constantly received inquiries from brides worldwide who wanted to try on my designs. That led me to develop my own made-to-order collections and wholesale them to stores, which proved to be a great strategy. As soon as my designs were picked up by retailers, our order volume increased, as did our brand awareness. I was able to leverage my industry connections to promote OUMA and take my business to the next level.
“At the heart of my business today is intention—in design, craftsmanship, and experience. OUMA is for the modern, artistic bride who values individuality and effortless elegance. “Every gown is thoughtfully designed in Vancouver with sustainability in mind, offering a balance of contemporary romance and timeless wearability. Unlike mass-market bridal brands, OUMA is personal. Each dress is made to order, ensuring a unique connection between the bride and her gown.
“Sustainability is also key to my business. We strive to host more sustainable workshops for the local Vancouver community and create limited-edition collections with sustainability at the forefront—marketing these as “conscious couture” for the modern bride. We will launch our next bridal collection for 2026 brides in New York and expand into more international retailers.
“Beyond bridal, I am venturing into eveningwear—rethinking special occasion dressing with couture-inspired pieces that feel fresh, sophisticated, and versatile. My approach is not just about selling dresses; it is about crafting meaningful experiences, whether through a one-of-a-kind design, an immersive presentation, or a carefully considered collaboration.
“Success used to mean revenue numbers and company growth to me. Now, I realize that profit is key and that staying agile helps a business navigate obstacles more easily. In the long run, I want to build a bridal brand that lasts for hundreds of years, so establishing a strong brand identity for OUMA is essential for long-term success.
“Within my community, I want to empower women to embrace effortless elegance on their own terms, redefining what it means to dress for significant moments. Whether through made-to-order craftsmanship, the artistry behind each gown, or the way I present my work, I want my designs to inspire confidence and authenticity.
“For the industry, I want OUMA to shift the perception of bridal and eveningwear—moving away from mass production and fleeting trends toward pieces that feel intentional, enduring, and artistic. If I can influence even a small part of the fashion world to prioritize quality over quantity, celebrate individuality over conformity, and embrace a more mindful approach to luxury, then I will have succeeded in leaving a lasting impact. “I hope to leave a legacy of thoughtful design, individuality, and purpose-driven fashion—proving that luxury can be deeply personal, sustainable, and emotionally resonant.”
Author Profile

- Helen Siwak is the founder of EcoLuxLuv Marketing & Communications Inc and publisher of Folio.YVR Luxury Lifestyle Magazine and PORTFOLIOY.YVR Business & Entrepreneurs Magazine. She is a prolific content creator, consultant, and marketing and media strategist within the ecoluxury lifestyle niche. Post-pandemic, she has worked with many small to mid-sized plant-based/vegan brands to build their digital foundations and strategize content creation and business development. Helen is the west coast correspondent to Canada’s top-read industry magazine Retail-Insider, holds a vast freelance portfolio, and consults with many of the world’s luxury heritage brands. Always seeking new opportunities and challenges, you can email her at helen@ecoluxluv.com.
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